A DEMOCRATIC SEEING


Ronciglione (2019)


In Egglestone I recognize my ideas on visual potentiality. His obsession for the ordinary, his instinct for framing techniques, those saturated and rebellious colors, everything in his pictures seems to want to shout at the miracle of creation. If for a moment the witness and the manifested enter into symbiosis, revealing the dualistic deception, any representation that derives from it can be transformed into art.

He was a complicated man and, like all great artists, exposed to the dangers of the ego, but I think he managed to find a way to understand the Creation through its impartial observation. He himself used to call it a "democratic seeing", free and without prejudice.

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