Mannequin # 04731 - Perugia Taking pictures of dummies to discover their semantic power, their metaphorical meaning. Us and Them. What are the differences? Certainly, they let themselves be photographed. They are not shy. They do not react to the camera's hypnotic force. They are exceptional, impassive models of an almost alien nobility. Is it them who resemble us, or is it us who wish to look like them? Dreaming of artificial intelligences and cyborgs, in a future that is now increasingly less sci-fi and more available, mannequins remind us of these glorious in-animated creatures, which means "without a soul". Perfect, modeled, programmed creatures. Again, who looks like who? And then, here is the hand that dresses them, that positions them, that shows them. In its preparation, we can grasp the meaning of its existence infused by the creator. It is a full-fledged replicant, mirror of our induced needs, fetish of the Narcissus God that contemporary society unknowingly ado
Urban drawing (1) - 's-Hertogenbosch 2020 The bombardment of senses in the city suggests infinite scripts of light. On sunny days, shadows are a presence that should not be underestimated, because they influence the harmony of an image in the same way as color combinations. I like to probe the limits of chaos. How many distractions can I include in an image before making a mess? Which colors can I combine? How many shadows? Composing urban drawings is one of my favorite games. From: The Shadow of Light
Strip of land - Comacchio (2019) Each phase of the photographic process holds a different and always renewed pleasure. When I am out doing street photography, landscaping, or whatever, I totally dedicate myself to recording the multiple aspects of Manifestation, diving into the mission with my mind and heart, without any prejudice. The pleasure is right there, in observing the world without rules, without brakes, with the utmost respect for every living and wonderful thing. In the subsequent processing phase, I do everything very instinctively. Also in this case I try not to be influenced by states of tension or who knows what expectations. The chromatic choice is something that happens almost automatically and only very rarely do I go back to my initial decisions. Finally, there is the selection and presentation phase, which can happen through a simple post like this one here. The pleasure lies in returning for the third time to read an image, to rediscover the sensation that prompted